There is a misunderstanding that has come to light that I would address and discuss. The issue relates to the in-camera White Balance that is set when your camera was converted by Life Pixel. Somewhere along the way the misunderstanding has occurred and people believe that when a camera is converted we set a magical, mystical, Master Custom White Balance that can be used until the end of time.
Uhhhh, . . . . . . no.
There is no such thing.
In fact, the White Balance that we set when your camera was converted to Infrared was a test, and we never expected you to use that White Balance to shoot with.
Let’s talk about the in-camera White Balance for a minute.
What’s it for? If you are shooting in RAW, does it affect the RAW file?
NO, ….. no it doesn’t.
What it does is affect the way you Preview the RAW file. And that’s the key. The in-camera White Balance is used to help you get the correct exposure.
A Custom White Balance is something you will want to set depending on the shooting situation you are in.
I have found four basic scenarios for setting WB. These will cover most of the shooting situations you find yourself in.
Scenario 1
When shooting an organic scene, use organic for a White Balance.
Example: When you are shooting a landscape, use grass, trees or other foliage as a WB reference image. It is important to note it is not the color green that is important, but rather the way the Infrared light reflects off the organic material. Dormant, brown grass can also be used for WB balance, and in Fall leaves work rather well also.
Scenario 2
When shooting an inorganic scene, use something inorganic for a White Balance.
Example: When you are shooting a cityscape, consider using something in the image, like concrete or blacktop for a WB reference image. When shooting a landscape in a location without foliage, try using rock or stone as a reference image.
Scenario 3
When taking and IR portrait, use the subjects skin as a White Balance reference.
Example: Use any area of skin as a WB reference image.
Scenario 4
When all else fails, use a grey card.
Example: Getting a good WB in a snow scene is challenging. Snow reflects so much light, it over powers the sensor. A standard grey card will do the trick.
I hope this clears up the misunderstanding about the in-camera White Balance that was set when your camera was converted.
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Dan Wampler
Dan Wampler is a digital artist from St Louis, MO. Having been interested in art and photography since childhood, he spent most of adult life working for Kodak and in the portrait photography industry. A student of the works of Ansel Adams, Any Warhol, and David Hamilton, Dan attempted to keep a wide range of artistic style.
As an early adopter of digital imaging, he found it gave him a way to completely incorporate art and photography. Began shooting Digital Infrared in 2004, and had first camera converted in 2006. His work has been seen in numerous gallery shows, is featured in an iTunes app. He produces Infrared and natural color digital art for sale and teaches his post-production techniques online.
Dan is LifePixel's Creative Director, social media manager, lead blog author, main workshops and training sessions instructor. His images appear in this gallery and throughout the website.
If you have a topic suggestion or request feel free to shoot him an email at danwampler@lifepixel.com
Otherwise all LifePixel customer service inquires should be directed to service@lifepixel.com or by phone at 866-610-1710.
FRANCISCO MENEZES says
April 11, 2018 at 1:13 pmBoa tarde, Dan Wampler
Tenho duas câmeras convertidas na LifePixel. Uma Canon Eos-M (720nm) e uma Canon 450d (590nm). Ainda conservo o White Balance como veio da LifePixel.
Gostei muito do seu artigo sobre o assunto, porém, ainda não tenho coragem de mudar as configurações. Gostaria que você fizesse um passo a passo abrangendo os quatro cenários, ok?
Ficarei muito grato.
Atenciosamente,
Francisco Menezes.
Dan Wampler says
April 15, 2018 at 2:45 pmOla franciso,
Cada fabricante de câmeras tem um procedimento ligeiramente diferente para o Balanço de Branco, mas todos envolvem a captura da imagem e, em seguida, o uso da imagem como uma referência de Balanço de Branco. Espero que isso ajude.
markdarnell says
April 7, 2018 at 7:16 amLooking for camera setup information for using a mirrorless camera that has been converted to IR. Is using a grey card for WB always going to be a good first step? What other issues do I need to address in using a A-6300 converted for IR (720) B&W only. Expecting Camera back from LP in 1 week so trying to prepare as much as possible prior to its arrival…..THANKS~!
Dan Wampler says
April 7, 2018 at 12:36 pmHI Mark,
The information in the article gives you White Balance suggestions for four different scenarios that should cover most all of your shooting situations.